当前位置 :
Theearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph’sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughout
更新时间: 2025-08-26 19:34:15
1人问答
问题描述:

Theearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph’sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenceofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalcopyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.

Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimtobefinding,recording,impartiallyobserving,witnessingevents,exploringthemselves—anythingbutmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.ItshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriumphofModernism:thebettertheart,themoresubversiveitisofthetraditionalaimsofart.

Photographers’disclaimersofanyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyaregettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography’sprestigetodayderivesfromtheconvergenceofitsaimswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960’s.Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting—thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandinsky,andMatisse—presupposeshighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography

蒋邵岗回答:
  小题1:C小题2:D小题3:A小题4:D   小题1:C.说明当代严肃的摄影家对摄影作为艺术的态度,并把他们这些态度放在历史的进程来观察。见文章大意。他们先为摄影是否是艺术而争辩,后为否定其艺术而努力。重点放在主题上。A.界定显得主义者对艺术的态度。B.解释摄影是如何作为美术出现的。第一段涉及,见难句译注2。D.界定当代严肃摄影家对待他们艺术所具有的各种观点,并评定每种观点的价值。这三项只是文内提到的某些方面,不是主要的。小题2:D.矛盾的。见难句译注3。A.客观的。B.机械的。C.表面的。小题3:A.他要列举这样艺术家的例子,他们象当代严肃的摄影家一样抛弃了传统上被接受的现代艺术目的。见第三段第二句:“举例说,这些认为通过拍照可以摆脱绘画所表现的艺术的矫饰的摄影家,使我们想起了那些抽象表现主义绘画的严肃的思想。”B.他想在抽象表现主义画家和古典现代主义画家之间找出相似点。C.他要在流行艺术家和其它艺术家之间作一个对比。D.他想解释为什么严肃摄影,象其它当代视觉形式一样不是艺术,而且也不应当充作艺术。小题4:D.摄影是一种艺术,可以和油画相比美。见难句译注2。A.他们强调摄影是使人们快乐的手段。B.是记录世界的艺术。C.摄影是公正观察世界的工具。
最新更新
保卡通(baokatong.com)汇总了汉语字典,新华字典,成语字典,组词,词语,在线查字典,中文字典,英汉字典,在线字典,康熙字典等等,是学生查询学习资料的好帮手,是老师教学的好助手。
声明:本网站尊重并保护知识产权,根据《信息网络传播权保护条例》,如果我们转载的作品侵犯了您的权利,请在一个月内通知我们,我们会及时删除。
Copyright©2009-2021 保卡通 baokatong.com 版权所有